The Gogol Theatre will host the premiere of the play "60 years - Sixties". Anti-worlds
The author of the play is Russian playwright and screenwriter Dmitry Minchenko.

📝 Summary
The author of the play is Russian playwright and screenwriter Dmitry Minchenko.
The poetry of the thaw returns in the performance of young actors. On the stage of the Gogol Theatre - the premiere of the play "60 years - sixties". Anti-worlds. The author of the production - playwright and director Dmitry Minchenko - offers to remember the legendary evenings at the Polytechnic and to reflect on whether the word can change the world. Yulia Kundryukova will continue. It was a time when poets were as popular as rock stars are now. Polytechnic cluttered. Authors could read poems in the streets, and the audience gathered around. Dmitry Menchenko – director, actor and playwright – dedicated this performance to his friendship with Andrei Voznesensky. He played that role himself, telling the success story of a generation from the start. Bella Akhmadulina, Evgeny Yevtushenko, Robert Rozhdestvensky – these names were known to everyone. Their poems were copied by hand in notebooks and memorized by heart. Like Rimma Kazakova's poem "Don't follow me like a schoolgirl." For the first time the term "sixties" appeared in the magazine "Youth": Stanislav Rassadin called the new poets, comparing them with the liberal-minded intelligentsia of the XIX century. But the name didn't catch on right away. In the year 65, in the month of March, Marlen Khutsiev’s Outposts of Ilyich, which was later called I am 20 years old, was widely released. And then everyone, as if to break off the chain, began to use the word "sixties". It is important to note that this is an anniversary. Exactly 60 years ago, there was a wave or some kind of epidemic, says director, actor Dmitry Minchenko. About the cinema of the thaw in the play, too, remember and tell the story of how Gennady Shpalikov composed the famous lines of the song “And I walk around Moscow”, sitting in a restaurant. And in the production, two opera singers unexpectedly appear - the Terentyeva sisters. Olga plays Maria Callas, who just in the 60s first visited Moscow. There are two arias in the play. “Bize Carmen and, of course, Casta Diva, because she was the queen of the belcanto – Maria Callas. Without this number we are nowhere,” says the guest soloist of the Mariinsky Theatre, leading soloist of the Moscow theater “New Opera” Olga Terentyeva. Elena Terentyeva plays Peruvian singer Ima Sumak, who also visited the Union, flying from winter to summer Moscow. “She came in a fur coat, she was welcomed, it was hot. She removes her fur coat, takes and gives her a nesting doll. Here she understands what “friendship of peoples” is, says Elena Terenteva, the leading soloist of the Moscow New Opera Theatre. As Voznesensky himself said, “We were like travelers who walked on very different roads, but whom the robbers at the crossroads tied to the same tree.” Like all good things, the age of the sixties ended pretty quickly. But as an important and powerful phenomenon will forever remain in history.

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