In Novosibirsk, students and teachers of theater universities exchanged experience

Even if the doll is only four sticks, it is difficult to coordinate its movements. Especially if you are not responsible for it alone, but as a whole group. Puppets are not given to all artists. “Management difficulties arise. I developed a technique to explain basic things, said associate professor of the Yaroslavl Theatre Institute Alexei Smirnov. The realities of the future profession are tried on by the participants of the Siberian Puppet School. It is not the first year that students of theater universities and representatives of various puppet schools of the country come to Novosibirsk. There are four of them in Russia, and each brings the characters to life in its own way. Roman Roschupkin, a participant of the Siberian Puppet School, notes that the grip of the glove doll is different, there are differences in professional vocabulary. To get acquainted with the whole palette of techniques, participants have a week full of master classes and seminars. The path of the actor-puppetist is chosen by few students, most dream to shine on the dramatic stage, say teachers. Although in a sense, puppet theater gives the artist more space for creativity. “One must learn not to play by himself, but to revive something else. It requires a different mindset, a vision of the world, and it is also being nurtured, said associate professor of the Yaroslavl Theatre Institute Natalia Khabarina. Along with the techniques of owning different types of dolls. Their students pick up only in the third year. Before that, they hone the plastic in order to learn to transmit emotions through movements. There are puppet theaters in most cities of Russia, but there is no shortage of jobs in this area, teachers say. The profession of puppet artists and directors is the most popular in theatrical art. Employers, directors of theaters begin to write to us before each release, we have more demand than offers, said the organizer of the Siberian school of puppeteer Elmira Kurylenko. Young professionals are not afraid of bold performances. There are fewer misconceptions that the puppet theater is exclusively children’s – such a future is promised to the audience.

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