St. Petersburg Russian Museum opened the exhibition "Assamblage". Object. Installation

Didactic exhibition "Assemblage, object, installation" is held in the Marble Palace of the Russian Museum. Once shockingly novel and unusual, these forms of contemporary art are no longer seen as a slap in the face of public taste. The path "from picture to object" was studied by Alexei Komarov. For centuries, artists have sought to make the image voluminous. This is a rare artifact made of wood and mirrors – a panel by Johann Schwartz “Grid with fish and cancer”. Among these objects of modern art, created at the end of the XX century, it looks absolutely harmonious. Unless you look at the date 1773. “Getting out of the plane to the object, to the three-dimensionality, it has always been exciting for art. Since the time of Parrasius, ancient painters. One bird, such as the Firebird, and the other has a curtain. Already in the XVII-XIX centuries, people wanted to reproduce objects illusoryly. This desire remained in the XX century, – says the head of the Department of the newest currents of the Russian Museum Alexander Borovsky. In the Marble Palace opened a didactic exhibition, after which everyone will be able to understand contemporary art. “Some new art forms that emerged in the twentieth century were shocking at first. Now they are not quite like that, but, nevertheless, few people understand them. We wanted to explain to the viewer what an assembly, an object and an installation are, says Irina Karasik, a leading researcher at the Department of New Currents of the Russian Museum. Assembly is an artistic technique associated with collage. However, unlike the latter, the works consist not of paper, but of natural elements of natural or artificial origin. Assemblage father Pablo Picasso. How do you make a piece of contemporary art out of an ordinary object we see every day? Deprive it of the function it actually has. Sometimes one detail is enough, in this case it is a knife. And then an ordinary stone turns into a piece of bread. The works of artists of the second half of the XX century are closely connected with the avant-garde. Object art often refers to the three great masters Kazimir Malevich, Vladimir Tatlin, Marcel Duchamp. For example, in Zesler’s work Eggs, where one egg is black, like Malevich’s Square, and one porcelain, like Duchamp’s urinal, or the same constructions associated with the Tatlin, Makarevich and Pogan Tower. There are three towers in this room. We can assume that they refer us to this design, explains Maria Saltanova, a senior researcher at the department of the latest trends of the Russian Museum. In a separate hall - installations of Ilya Kabakov, Igor Makarevich. And also the author's version of the "Garden of Malevich". Members of the group "Tut and There" created the work in 92. In the courtyard of the Academy of Arts made a bed in the shape of a square. And planted carrots. When it matured, it was used in the installation, thus becoming involved in the Russian avant-garde.

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