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At the Vakhtangov Theatre premiere – “Idiot” staged by Vladislav Nastavshev

The director called Dostoevsky’s work “a novel about Russia” and left only four characters on stage.

At the Vakhtangov Theatre premiere – “Idiot” staged by Vladislav Nastavshev
03.03.2025
Lesezeit: 2 min
30 mal angesehen
At the Vakhtangov Theatre, the premiere of the play based on the novel “Idiot” by Dostoevsky is being prepared

03.03.2025

At the Vakhtangov Theatre, the premiere of the play based on the novel “Idiot” by Dostoevsky is being prepared

Culture news In the Vakhtangov Theatre Premiere – “Idiot” staged by Vladislav Nastavshev

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Culture news In the Vakhtangov Theatre Premiere – “Idiot” staged by Vladislav Nastavshev

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At the Vakhtangov Theatre, the premiere of the play based on the novel “Idiot” by Dostoevsky is being prepared

03.03.2025

At the Vakhtangov Theatre, the premiere of the play based on the novel “Idiot” by Dostoevsky is being prepared

Culture news In the Vakhtangov Theatre Premiere – “Idiot” staged by Vladislav Nastavshev

03.03.2025

Culture news In the Vakhtangov Theatre Premiere – “Idiot” staged by Vladislav Nastavshev

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📝 Summary

The director called Dostoevsky’s work “a novel about Russia” and left only four characters on stage.

At the Vakhtangov Theatre, the premiere is “The Idiot” staged by Vladislav Nastavshev. The director called Dostoevsky’s work “a novel about Russia” and left only four characters on stage. As they try to escape, saw Julia Strukova. Solid sharp corners, rickety horizon, the scene as if also under a slope. There is no balance in anything and no one. And the heroes of Dostoevsky in this shaky and multidimensional space as if locked. Feeling uncomfortable and stuffy. Vladislav Nastavshev addresses Dostoevsky’s “Idiot” for the third time. He rehearsed the role of Prince Myshkin at the acting faculty, and 10 years ago staged the eponymous play in Riga. This time, he continues to wonder who the main character is. Prince Myshkin, who came from Switzerland to Russia and looked at her with different eyes. Or the ones he has to deal with. “We all want to show people alive who have some kind of pain of their own. Not what they do, what they want, but it turns out that way. They're helpless. They make mistakes all the time and it drives them to a certain madness. But somehow they try to get out of there – not everyone succeeds, says actor Pavel Yudin. Everything is very sharp, as it could be in the mind of a sick person: farce suddenly replaces drama, melodrama turns into buffoonery. Most actors for the first time work with the peculiar theatrical language of Vladislav Nastavshev. Which in this performance and the director, and co-author of the scenographer and composer. “He is a real artist. He rightfully took up a powerful philosophical work and we are interested in embarking on this journey with him. We still have a lot to grow. And we need to grow even before this director, says Honored Artist of Russia Anna Dubrovsky. This stunning pop number is like an unexpected outburst of Aglay's feelings "This is the moment when Aglaya decides to read poems about the poor knight in the presence of all." I, too, when I read, imagined that it was a performance for her, her act. Suddenly, it's an Olympic number. I think it is quite as it is written, says actress Polina Rafeeva. Only one act was shown to journalists. The production continues to be refined, some scenes are reduced, others are added. They say. "Idiot" will be a work of eclectic, polyphonic, replete with allusions.

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