Works of Sergey Kuznetsov presented in the “bad apartment”

For the exhibition, an educational program was developed - about the geography of Bulgakov's works.

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For the exhibition, an educational program was developed - about the geography of Bulgakov's works.

You can get from the "bad apartment" to the "Other cities of Mikhail Bulgakov" at the exhibition of Sergey Kuznetsov. Paintings and drawings of the chief architect of Moscow transport visitors to the world of the writer. Many of the works were created specifically for the exhibition. Julia Strukova will continue. Monochrome palette, blurred outlines. Sergey Kuznetsov seemed to visualize memories intertwined with fantasies. These are images of 10 cities where Mikhail Bulgakov was or where his works take place. Moscow is the Patriarchal and Sukharev Tower, next to which there was a market, its merchants are mentioned in the Heart of a Dog. St. Petersburg is the scene of the plays Alexander Pushkin, Adam and Eve, the libretto of the opera Peter the Great. St. Andrew's Church, Kiev, the writer's hometown, captured in "Days of Turbins, "White Guard", "Notes of the Dead". “There have been challenges, for example. Well, here's Jerusalem. Because Bulgakov himself was not in Jerusalem, but we know about him in which book much is said. Yershalaim – and this is the Jerusalem of Jesus Christ. And so it was necessary to find a plot, which is in Jerusalem, which looks old enough to believe the viewer that it could have been then, says the artist, chief architect of Moscow Sergey Kuznetsov. Tiflis, where Bulgakov repeatedly visited, in which his heroes "Notes on cuffs" and "Batuma" live, Constantinople, where Bulgakov never got, unlike the heroes of "Run". Also, he was not in Paris, which did not prevent the creation of the "Cabal of Saints", "Mad Jourdain", "Life of Mr. de Molière". And even articles about the fighting in Paris for the newspaper "Worker". “Bulgakov usually gives us the opportunity to get acquainted with the culture of this city, with its traditions, with its noise. And it rarely happens that Bulgakov shows just cities, chaotic or structurally scattered across the earth. After all, the face of the city is its inhabitants. And in this sense of the word, we are almost always faced with such a Bulgakov study, says Deputy Director of the Museum Mikhail Bulgakov, curator of the exhibition Ivan Nazarov. Sergey Kuznetsov created almost all the works specifically for this exhibition. He says it takes a little, much more time to create an image. Artist, chief architect of Moscow Sergey Kuznetsov: These are years of grinding skill, these are reflections. Before you compose the work, you must first think about what it will be, how to do it, some sketches are made. I've been drawing since I was very, very young, and it's many, many thousands of hours, and I think all those hours in every work, they reflect. This is the first collaboration of Sergei Olegovich as an artist with a literary museum. This is also our first experience. And I'm also joking that it's so neighborly. Moskomarchitecture, and we, on the contrary, why not do something together, says Valentin Agafonova, director of the Mikhail Bulgakov Museum. For the exhibition, an educational program was developed – about the geography of Bulgakov’s works, about how Moscow looks in the early editions of The Master and Margarita, and what his imaginary Paris is.

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