In the Historical Museum opened the exhibition "Svoyasi"

Home is like peace. The Historical Museum opened an exhibition of contemporary Russian art "Svoyasi". Artists and designers interpret images of folk culture. The exposition is built like a hut. There is a "porch", and "seni", and "maid", and even "baby kut". Ksenia Luzhenkova will continue. Folk culture is a box full of treasures, in which more and more gifts are put, the authors of the exhibition believe. The exposition "Home as a space of being" comprehends the connection of generations. Children’s memories and personal creative experience are woven into the cultural memory of the people. “These objects are filled with historical memory and historical traditions, music, songs. All that surrounds us and what we call our own, says the General Director of the State Historical Museum Alexey Levykin. The Russian hut is a simplified model of space. Order in the home is opposed to the chaos of nature. Viewers see the house from the facade. Windows, sewn cloths with a pattern of elm become the "Face of the house." The text for the ornament is a prayer to the Most Holy Mother of God for the protection of the family. Traditionally, the hut was considered only the heated part of the building. First, the guest falls into the cold shades. This is an intermediate space between home and the outside world, full of dangers. Anna Filippova's Blackboards have no faces. But the viewer understands: this is Boris and Gleb, the spiritual defenders of the house. "In the Land of Unfrightened Birds" is a series of fragments of a drifting tree that washed ashore by the wind. The house is like a nest left forever. In the chamber, artists analyze the loss of connection between generations. And in the neighboring space reveals the diversity of the female image. This is a rich polewort in ceramic mail, and two-faced Nesmeyan, who now laughs, then cries. The Garden of My Soul is the result of spiritual practice. “All the adversities of women were expressed in creativity. The oldest craftsmanship is weaving, sewing, embroidery. And women sewed up, sewed there their hopes, their hopes, their sorrows, their experiences, says the author and curator of the project “Svoyasi” Natalia Justitskaya. In the red corner, evangelical images coexist with pagan ones. From the burnt pine bars covered with beeswax, turned Beregini. “I once came across this shaped cabbage cutter. Old, forged. And they very much reminded just such, not that in a kokoshnik, but in some headdress, a female image. Here are used beads and weights, the so-called. This is somewhere in the XVI-XVII century. From archaeological excavations, – shared by the wood artist, sculptor Dmitry Rytyaev. On the panel of Elena Kuznetsova, the outlines of the Mother of God and the Child and the Mother of God with the crucified Christ are guessed. This is the beginning and end of the earth. And between them is human life. Thus, according to the authors, the exhibition is crowned.

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