The Theatre of Teresa Durova hosted the premiere of the play "Moliere, heirs"

Moliere. “Heirs” – premiere at the Theatre of Teresa Durova. Three plays of the French playwright combined into one performance director Irina Pakhomova – she wanted to put “a comedy that offers to see the beautiful in every moment.” The result was appreciated by Jan Music. In the last couple of months in the capital is the third premiere of Moliere. The Theatre of Teresa Durova is sure: Moliere, like comedies, does not happen much. “We lack irony; he has it. Primitive humor is lacking, and it does. Simple, heartfelt, childlike, almost such naive humor, said Teresa Durova, artistic director and chief director of the Theatre, People’s Artist of Russia. At the heart of the play is an early play of the classic “Shaly, or Everything is Wrong”. Hooliganism, gimmicking, flimsy, crazy. “This is one of his first plays. With her, he conquered Paris. This is a young, light, gambling, very cheerful Moliere. He doesn't laugh at people yet, he laughs for the joy of life. And in this play there is so much love for life, so much joy that, I think, now this is what we need, said director Irina Pakhomova. The director is sure that the audience will laugh only in one case, if the artists themselves are funny. Assures: the whole team worked with excitement, at rehearsals a lot of laughs. All the scenes were born out of this kind of actor. That is, two actors come out, like in those days when there was a square theater, Moliere – we all gave birth to it ourselves. Then someone was constantly throwing something, this was going further and further, and now we got what we got. Funny, fun and filigree, said actor Ilya Zakharzhevsky. The young heir of a large fortune is in love with a slave. He will have to deal with both social circumstances and a rival. The whole thing revolves around the love line. But, as always with Moliere, the main character is not himself in love, but his servant. Delicate and cheerful. Flexible and insightful. “That is, a person immediately analyzes you: what can be done to you, what can be done at the moment, how a person can be treated. My character basically tries to sculpt everyone around, like plasticine: "Okay, I'll go with you like this..." Such a game of chess. And you? Oh, you can't play chess, can you? Then let's play checkers. Do you want to do a trick? Such people are probably a breakthrough now, explained actor Sergey Batov. Actor Sergey Batov compares his character with Ostap Bender and Infotsygans. A play based on a 370-year-old play is a good reason to wonder if anything about human nature is changing?

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